Showing posts with label canvas. Show all posts
Showing posts with label canvas. Show all posts

Monday, March 19, 2012

What's with all the frakkin' apocolypti?


Updated: March 21, early in the a.m.
The canvas in the accompanying photos
to this posting is called
"Grief And Beyond"
It was begun after I received word about the
death of a friend's mother, recently.
My friend Z, lost his grandmother this winter
and my own mum passed, a little while ago.

The main character in the composition is "the survivor". The antlers are representative of "acquired knowledge or wisdom", in shamanic pictography, worldwide.

The main action in the background is the allegorical crossing of the Styx and an imagining of the transition from flesh and information to mystery.

I'll post the video about this piece, shortly.
:Eric

---

"What's With All The Frakkin' Apocalypti?"

- That may be the question that you are asking yourself if you've been following my newest endeavour: The Zzorhn And BingoRage Show. An atavistic, yet intellectual, cultural review. Certainly, there are moments of quiet desperation, near-crying and sulky bitchiness...
but shit gets real, occasionally.

The title refers to this season's overarching goal: Staring down the Mayan Apocalypse, millenialism, armageddon-seekers, fear-mongers and the impending panopticon.

It started out as a comedy podcast, but is hardly ever funny; not that there aren't moments of humour amidst the pathos. We are the embodiment of "a little knowledge being dangerous" in a world where authority is being leveraged to make us stupid, reproductively overzealous, poor and docile.

"dangerous"? To whom? Certainly not to our neighbours, friends and family; our whole community. No. "Speaking Out" is a danger to the powers-that-be, whom are civically and morally obligated to oppress us.

So, we are exploring the ideas of apocalypse, cultural and imperial collapse, armageddons, existential threat and popular media.

That's what I've been up to. That and painting... and a little sculpture... and some #AggroDemocraticoDocumentarianism. I have been promising Zzorhn and our "viewership" that I would start publishing more videos. I must apologise; I feel that I have some sort of mental block that is preventing me from publishing what is already essentially done. A ridiculous inability to finish punching a few more buttons and make a few more decisions.

Tonight; I remedy this, with Media Trap. This piece was painted to accompany a previous "Zzorhn And BingoRage" episode: "Media and the Technological Apocalypse".




During our most recent show, we spoke about Mel Gibson's "Apocalypto" and "Fight Club" as our relevant movies. This is my review...

[Spoilers ahead.]
Apocalypto; A review of the 1996 film as history and metaphor, keeping in mind who made it.
Eric C. Keast, March 07, 2012

---

Mel Gibson’s epic film, Apocalypto, starts out as an Anthropological tour of pre-Columbian tribes of Central America. There is hunting, sex and humour in village life, but a hint of darkness is creeping into their jungle, pushing refugees before it.

The main character, Jaguar Paw, wakes from a prophetic dream, warning him to flee, but it is already too late. Empire comes to ravage his village and enslave his extended family; it is all that he can do to save his wife and child, before capture. Thus begins the march to the top of the world.

As they approach the outskirts of the Mayan city-state, they skirt the edge of a tremendous clearcut stretching to the horizon; the jungle is being mowed back, one tree at a time.


It is at this point that the film’s universe turns.

The city’s newest slave acquisitions are marched past a strange sight beside the road; a crying girl standing over a fallen body... a woman. They are both covered in some terrible growths. The returning captors beat her back in disgust, when her cries for pity are rebuffed. She carries “the sickness”, which the captors know enough of... to fear.

All the fear leave the child’s character and is replaced by judgement. The child becomes an angel of doom and pronounces her judgement on the empire. The implication is that the child represents some sort of divine intervention.

But from whom? Quezalcoatl? Jaguar? Nope...

It’s Mel Gibson... in allegorical representation. We have left the anthropological reconstruction behind and have entered a story-space of cultural propaganda. The girl represents a physical wave of biological destruction that spread out in fron of the first Europeans and their new religion. Her appearance as an angel, bringing divine judgement is lacking a line: “There is a new god in town and he’s about to start kicking ass... Yay, Christianity!!”

Now, just wait... don’t get all knee-jerky, just yet. Just because Mel is a little right of the current pope in Catholic matters doesn’t mean that this is a bad movie. I think that it is a great movie and a great representation of a cultural era that it is hard for us to fully conceive of, as modern “western” viewers.


But as a rural-Canadian, obvious leftwing-artist-type and Ahnishnahbeh; I have to say that the movie should not be seen without considering it as a cultural object, with implications in its imagery. All cultural objects have an agenda, either constructed and/or acquired.

The captors lead the jungle-dwellers through various layers of the city, which has extended its feeding of wood, stone and blood outward, like the tentacles of an organism.

The film’s delicious visuals of mass human labour and epic civil endeavour resonates with the imagery of Dante and Hieronumus Bosch. The bound captives are being guided through the various layers of hell. They pass a column of slaves cutting and chewing up rocks for the city; varying in size from pyramid block to plaster dust. They pass through layers of charcoal-makers (fire), madness, sickness, poverty, failed agriculture, starvation.

As they enter the city, the central market is abuzz with activity and produce. Although the countryside is failing and the vast population of the culture is slowly being deprived of their lives, things seem to be just fine inside the city.

It is at this point that new “castes” of people are introduced, the “elite”. They sit around the city, laughing and carefree. Some are carried about the city. Others participate in its important religious duties. There are priestess and musicians working double time; singing and preparing the ongoing ceremonies.

Husband are separated from wife and child. The men continue the march to die; the others to be sold or discarded.

The raucus machine of death continues in an orderly fashion. The sacrifices are painted a special blue and marched past a beautiful painting of their impending doom, explaining the procedure. It is kind of like a boilerplate sacrifice-contract that you ink with your passing. Nice touch.

Then. It is up the ramp... to the top of the world.


The death that the head-priest and the King’s family have in wait for you at the top of this Mayan city-state really, really sucks. I’ll save that and the ending for yous that haven’t seen it yet. I want to talk about cynicism and history, now.

The obvious questions in your mind at this point in the movie should be “Why the fuck is this happening?” and “What the fuck?!!!!” You should be ANGRY, or at least feeling a little bit ill by this point. If you have no empathy or sympathy with the jungle people about to die or live in slavery for the rest of their lives, you really should. They are you. Let me explain.

---

The sacrificial lambs may not be all of you, but they are most of you. Most of us. They are the victims of a social machine evolved from spare parts of resource extraction, resource management, history and myth, labour shortage, technology, power and religion.

They are the victims of a cynical ploy by the super-elite class to buy some more time and power atop the apocryphal “heap” of the regional power system. Using their society’s intellectual and scientific resources, they time the tightly-managed harvest and murder of their neighbouring societies to coincide with a solar eclipse and “prove” their rights to rule as successful petitioners of the gods and their right to skim the very best off the top of their society as directors of its economy.

Now the question that would never be asked at the top of that pyramid is : “Is it OK for us to pretend that ours is an unquestionable path, even though everything is a lie and we live by the suffering of millions below us?”

The implication of the story is that the ceremonies are now over, because of the eclipse. It is not certain how long this bloodshed has been going on, but a later scene indicates that there are hundreds if not thousands of victims.

The gruesome imageries depicted in the movie are probably good representation of events that actually occurred at different times in the Mayan empire, perhaps at every significant astronomical event. It is not known to me if those types of mass sacrifice were still going on during the earliest contact period with Europeans. The height of the Mayan empire had already passed by that time, fragmenting into smaller city-states. The Mayans, of course, still walk among us.

The last portion of the movie completes the arc of Jaguar Paw and lands the judgement of the plague-angel's prophecy.



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Monday, December 19, 2011

The Old Sea Captain Vs. The Ancestral Jay

-- Click most pics for larger view.


I had said that this painting reminded me of an Ojibway archetype; an essential battle, a terrifying synergy between water and sky on a big lake or other substantial expanse of water. The mythological imagery that leaps to mind is the purported enmity between the Thunderbirds and Mizhepezhou.

In this canvas, the water role is played by the "Old Sea Captain"; A bushy-lookin', clay-pipe chompin', twisted and dehumanised Davy Jones mutey (mutant, not speechless).

He is spewing/projecting some offensive force that penetrates and defeats "The Ancestral Jay", a now-extinct corvid of dubious anatomy.

Part 1



Part 2




After stretching and fixing the canvas onto the boxframe, I mixed various blues, green and white to make a turqoisey colour for the background. Using the handle of my paintbrush, I "scratched" a quick sketch into the wet paint.




Honestly; the canvas didn't look like much after first paint. The scratch lines were traced with grays and whites, dull sage greens. When I started throwing paint at the hair, it began to change.




Adding black, hard lines to the Sea Captain turned it from a full profile to a partially straight-on face. Dripping paint reinforced the throat lines of the bird.



Introducing the pipe nearly obliterated the jaw, which had been defined with thick, hard, dark lines. It reaches far into "our" space; the bowl becoming the foremost foreground.




a


Detail pics of the Old Sea Captain and The Ancestral Jay, before the solid, tube-squeezed lines and dots of the final changes.

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Joe Rogan, discussing #OWS on his great podcast.


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Tuesday, April 19, 2011

Recent art videos of recent painting [and embedded audio inspirations].

-

"Interdimensional Mallard and the Mystical Piranha-Crappie-Halibut Hybrid"
Acrylic on canvas. Video from Jan.6, 2011. Picture is from April 2011, when the painting is clearcoated and considered finished.

Interdimensional Mallard and the Mystical Piranha-Crappie-Halibut Hybrid. Acrylic on canvas; Broken Vulture Art, BingoRage Studio.



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"Yellow Cliffs" Acrylic on canvas. Video from March 2011
In this piece, extinct beasts chase humanity into the present and are left behind. The cliffs echo the land that has been ripped away by continental glaciers.

Yellow Cliffs. Acrylic on canvas; Broken Vulture Art, BingoRage Studio.



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"Miss LoonTrout Got a Crappy Boobjob. Mr and Mrs. Crack-Penguin Pull Their Tired, Old William Tell Routine. Nanabush is Alive, and In The World."
Acrylic, ink, beadwork, papier-mache and antler on Canvas.
Video from March 2011.





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"Loon Family" Spring, 2011. Acrylic,ink on canvas.
A fave motif of Norval Morrisseau.

Loon Family. Acrylic on canvas; Broken Vulture Art, BingoRage Studio.



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A "Tell 'Em Steve-Dave" (TESD) podcast animation.
TESD brought to yous by www.SMODCAST.com



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Monday, January 10, 2011

Eric, in the BingoRage Studio; with the H+ canvas [formerly "TREE canvas"]

-

I just looked at my archives;
it seems that I haven't blogged this painting before(!!!).
I thought that I had... apparently, I started to,
then never got around to finishing and publishing.
Typical.
Video, from Spring 2010, after the pics.
Thumbnails click to enlarge on separate page.

"H+" January 10, 2011.
The raptor is not a dinosaur. Everything in the painting is a human, in deep future.
Canvas:7 feet wide and 4 feet high; 4 inches deep.
Click for XL photo.
broken vulture art,BingoRage,acrylic painting,native art,Ojibway,studio

Initial sketch.
H+,TREE canvas,BingoRage,Broken Vulture Art, Eric C. Keast

Canvas build; December 2009.


stretching canvas








Artist (Eric C. Keast) and the work. Jan.11, 2011.


---

The video chronicles early work on this piece.
Music by Trip Wamsley, at Magnatune Records.


---

Keth Olbermann commenting on the Arizona assassination attempt and the media/political response.

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Saturday, January 08, 2011

"Chinaski of Red Lake; Winter of 1989" update.

-

This piece has been around for a couple years,
check out previous post. This video documents the earlier progress of work.



January 8, 2011.
Chinaski,acrylic painting,canvas,red lake,northwestern ontario

January 7
chinaski of red lake,acrylic painting,broken vulture art,bingorage

Jan6
chinaski of red lake,acrylic painting,broken vulture art,bingorage

Mid-December 2010
chinaski of red lake,acrylic painting,broken vulture art,bingorage

Jan7; hand and drink detail
chinaski of red lake,acrylic painting,broken vulture art,bingorage

Jan7; Chinaski detail.
You can see by these detail pics that the fabric, upon which this piece is painted, is extremely coarse.
chinaski of red lake,acrylic painting,broken vulture art,bingorage


Chinaski,acrylic painting,canvas,red lake,northwestern ontario

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Friday, January 07, 2011

updated "Interdimensional Mallard ..." New vid - Jan7/2011

-

Interdimensional Mallard and the Mystical Piranha-Crappie-Halibut Hybrid
Now asking 4700. Continental North America. International inquiries email for shipping quote.
Sponsorship piece; proceeds split between Spirit Fire Park and Broken Vulture Art.



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Current Incarnation

interdimensional mallard,acrylic painting,broken vulture art,bingorage,native art,ojibway

January 4,2010

Photobucket

human character

interdimensional mallard,acrylic painting,broken vulture art,bingorage,native art,ojibway

Interdimensional Mallard

interdimensional mallard,acrylic painting,broken vulture art,bingorage,native art,ojibway

fish element

interdimensional mallard,acrylic painting,broken vulture art,bingorage,native art,ojibway

eye detail

interdimensional mallard,acrylic painting,broken vulture art,bingorage,native art,ojibway

worm detail

interdimensional mallard,acrylic painting,broken vulture art,bingorage,native art,ojibway

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Tuesday, April 06, 2010

Eagle / Human Transformation... New video, ArtPost & LinkyPost

New BingoRage Studio production: Eagle/Human Transformation.
Acrylic on plywood, Digital Photo Manipulation.
Remember!! "The Spirit Fire is Lit, Again" event; August 6-7, 2010. Spirit Fire Park; Devlin, Ontario. Generously supported by the Ontario Arts Council.
New mural and sculpture installations, new art infrastructure, camping, theatrical presentation, Rodney Brown performance, paintball... other stuff.
Register to camp; arrange paintball [zzorhn@hotmail.com].
We are seeking mural sponsors to support public workshops and events. Email Eric; brokenvultureart@gmail.com



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Urban Aboriginal Peoples Survey, and results (Canada).

Mercury pollution from Dryden, Ontario pulp mill still poisoning First Nations people, decades later.

April 22, 2010 protest at Ontario legislature; against Ontario HST plans which break Treaty obligations.

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Thumbnails click, to enlarged detail photos.

BingoRage Studio. Broken Vulture Art. Eagle/Human Transformation

More, after the jump.




Thursday, December 24, 2009

Hiatus nearly over at BingoRage headquarters

Sorry folks. I have been a bad, bad bloggist since hunting season started...
then passed... then the holidays.

Merry middle-eastern deathcult messiahhood, happy solstice, etc. Will have new updates soon.

:Eric

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Northwestern Ontario 8-pointer, buck deer

New canvas, with chalk sketch.
Canvas with chalk sketch



Wednesday, September 30, 2009

CutFoot Dances On

"Cut Foot Dances With A Beast"
- continued

CutFoot Dances With A Beast. Acrylic painting. Broken Vulture Art. BingoRage.

CutFoot Dances With A Beast. Acrylic painting. Broken Vulture Art. BingoRage.

CutFoot Dances With A Beast. Acrylic painting. Broken Vulture Art. BingoRage.

CutFoot Dances With A Beast. Acrylic painting. Broken Vulture Art. BingoRage.

CutFoot Dances With A Beast. Acrylic painting. Broken Vulture Art. BingoRage.

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The old fire watch tower has been removed from its concrete pad at Pither's Point Park. This would make a great site for a sculptural installation; dontcha think?

Pither's Point Park. Tower removed. Broken Vulture Art. BingoRage.

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Another Native blog. This one belongs to CBC Manitoba reporter, Waubgeshig Rice.

My Bud, Ryan McMahon has been plenty busy. He's trying to get a sitcom, shot locally.
"... McMahon felt his proposed sitcom, currently with the working title, “Don’t Call Me Chief,” is something that could replace “Trailer Park Boys” on the Showcase network since that series will be going off the air.
“What we’re saying is that we got the thing,” he remarked. “It’s Canadian, it’s funny, it’s from an aboriginal perspective. But anybody in Canada can relate to these things, especially in a small town.
“For example, the idea of going to get groceries at the bait and tackle shop because that’s what some people do.”
McMahon even has some well-known actors associated with the project so far, such as Scott Thompson from “Kids in the Hall,” who would play the mayor of the small town..."


First Nation artist carves special healing pole.

Cool beaded hand sculptural project.

Check out the great photography of Nadya Kwandibens, from up in my neck of the woods.

Interesting artwork, Northwest coast designs, custom applied to new shoes. 8'th Generation.

Call for submission: 4-minute films about Native American Veterans. For NMAI, Smithsonian. October 18, '09, deadline.

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Monday, August 03, 2009

BingoRage midsummer '09 studio update

sasquatch sign

Heyo, BingoRagers!
I know, I know...
It has been a while. But, rejoice; there are many pics, below.

There is also a little bonus: A short story by "yours, truly".
It is, however, a bit naughty. Bad language, "wild men" and adult situations, so to speak. So, don't read it to your kids at bedtime.
Kids don't read much, nowadays, so we shouldn't worry about them burning out their hippocampus on this posting.

I can't remember where I found the Sasquatch sign; will post if I can find source.

---

Here is an important lecture. Canadian author and essayist, John Ralston Saul, makes the case that Canada is based not on the "European model", but on a "conversation with Aboriginal Peoples". I am not sure how long this CBC audio link will last, so listen, or download, immediately and listen at your leisure. CBC "Ideas" radio show.



Direct download

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(Pics click to enlarge.)

TBird Finally Catches Sturgeon. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Sorry, folks. The giant "space-tick" on the side of the T-Bird's head had to go. See first set of "T-Bird/Sturgeon" painting, here.

TBird Finally Catches Sturgeon. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Oh Christ. Not another "sky-snake". Can't we go five minutes around here without a dragon?

TBird Finally Catches Sturgeon. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Wings?... That's original.

TBird Finally Catches Sturgeon. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Aha! Pinkeye!
It's the leechy conjunctivitis, dicussed below.

TBird Finally Catches Sturgeon. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

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This "Old Man" mask has been around the block, never finding its right hue. Maybe I have finally found it.

Old-Man mask, reboot. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Old-Man mask, reboot. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Old-Man mask, reboot. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Old-Man mask, reboot. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

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Rainbow and god-hammer, over Ranier, MN.

Eric C. Keast. Broken Vulture Art. BingoRage Studio.

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Minus 3 000m.
Chalk, on black paint background, with acrylic paint additions and highlights.
Painted on masonite board. Clearcoated, for install.

Minus 3 000m. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Minus 3 000m. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Minus 3 000m. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

"Dumbo Squid"; google it, if you don't believe me.

Minus 3 000m. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

Installed, at SpiritFire Park.

Minus 3 000m. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

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JohnnyCat

text

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"Yellow Face" thing. New canvas. Will undergo change.

painting canvas. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

painting canvas. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

painting canvas. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

painting canvas. Eric C. Keast. Broken Vulture Art. BingoRage Studio.

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Rushing River; West of the highway.

Rushing River Park, NorthWestern Ontario. Broken Vulture Art.

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Leech Water

Something loud disrupted my nap. It had to be loud, to cut through a light, rye hangover and the gyrating dream shadows of a recent ex, on the back of my eyes. She was in the middle of performing an act that I had never been able to persuade her of, before.

"Oh fuck."; I was made suddenly aware that I was sleeping, dreaming and fantasising, facedown, on a filthy carpet in the middle of a room. My eyes felt like they were flailing in a sack. A greasy, sticky sack. Sideways.
Thankfully, it was my own living room.

It was nearly midnight, according to the watch under the couch. A watch that I had been looking for, the last three months. The entire afternoon and evening had been spent drinking, smoking and sculpting. Mission accomplished on the drinking and smoking, but the small mountain of modeling clay in the garage still looked like a pile of rainbow turds that a baboon had been playing with, on a brown boulder, for only about three minutes.

Somebody was pounding at the door, demanding entry. After battling my way to a standing position, I freshened my drink with whiskey and orange pop. After the first tasty swig, I wandered towards the door, but stopped, to check out the visitor in a side window. I was momentarily repelled by the awful visage in the glass, I nearly gagged, before realising that it was a reflection. I lit a cigarette to quell the butterflies and flipped on the outside light.

The gentleman caller at the front door is known to me. He's called 'Dirty Jesus'. He's twitchy-lookin', tonight. More so, than usual. He was clutching something... dingy, off-white, in his grubby paws. The sickly yellow of the porch's bug light does nothing for his complexion, either. The doorbell rang again, followed by a pounding fist.

"What the fuck do you want?... Do you know what time it is?" I walked over and pounded on the door twice as loud as he had, to punctuate my voice.

"Hey man, I gotta show you this... This thing. Lemme in!"

"Fuck off. I'm busy."

"Busy?
Busy, what!? Jerkin' off and making ugly lumps uh shit that nobody wants?"

I took that bait without hesitation. I whacked at the chains and locks and ripped the door open with the full intention of stomping Dirty Jesus... With all the artsy love that I could muster.

I lunged out and jerked to a clumsy stop.
I was staring at the wrong end of a can of pepper foam. It was right at face level. That can had gone missing my from apartment a few weeks before, but I hadn't reallyreckoned Jesus as one of the primary suspects.
I had used that shit on guys before and I knew what it could do.


"You... fuck."
It came out as a hushed hiss.

I stumbled back, yanking on the door, but he stuck both of his scabby hands, my stolen mace and a dingey styrofoam tub, through the opening. The door smashed his leather-sleeved forearms, but he held to the can of pepper foam.

I might have disarmed him at that moment and avoided the rest of that wretched evening, but something, wet and warm, splashed in my eyes. I reeled back in anticipation of pain and stumbled over my rubber boots. I fell against and then through the broom-closet door. My vision wobbled as I blinked. I could see.

My eyes stung a bit, but not pepper-foam sting.

His head came through the door, eyes rolling around, searching for something. His trailing arm popped through the opening, waving around a small, poorly-sealed styrofoam tub. More drops of liquid splashed on the carpet.

"What the fuck!!", I yelled. The liquid in my eyes had begun to sting. Enough to make me squint, but not badly enough to keep me down. I had to roll over a pile of boots, squinting and consciously abandoning all remnants of dignity, in order to get up.

By then, Dirty Jesus had closed the door behind him and messily locked it. Also, he had trotted into the living room and homed-in on my whiskey-orange pop cocktail.

I call the recipe "Musty Prairie Tangerine". Pour, in order: 1) 2 Gills of Rye, 2) 1 Gill cheap orange pop, 3) Handful of fresh, clean ice cubes, 4) 6 dashes Worcestershire sauce 5) 1 Gill Soda Water (Bottled mineral soda water, preferable to soda gun).

I was rubbing my eyes, madly, yet took notice of my unwelcome guest's tweaking, hangdog demeanour. He was a mass of microscopic, marionette-like movements. His eyes had the unceasingly jerky blank stare of several days' missed sleep. He was using every last scrap of concentration to maintain. Wisely, I granted him the depressant and headed to the kitchen to make, us both, another one. My right eye is beginning to water and burn, however.

"What the fuck did you splash in my eye?!!!", I yell, over my shoulder.
Dirty Jesus stood up and walked into the kitchen hallway. He stood there, vibrating. A slow mask of comprehension bloomed on his grubby, sunburnt face; then, a nervous half-grin. He doesn't say a damned thing.

"What... the fuck... is in that fuck-ing bowl?... In my e-y-e?"

He was standing in front of me, with his eyes and mouth open, but was someplace else. I waited and he came back in a minute. His face moved again. He breathed in, licked his lips and says... "Leeches.".




"Leeches?"

"Yeah..." He smiled, nodded, shrugged his shoulders, twitched his eyes and let out a short laugh, kinda all at once. "... leeches".

"Fuck!!!"

I bowed, roughly, into the sink, ramming my diaphragm on the counter-ledge. I run the cold water, opened my eyes and shake my face under the stream. It's a real bitch to open the eyes, but I forced them with my fingers and let the amazingly good tap water blur my vision. Canadian municipalities, of a certain size, love to rip up the streets and constantly upgrade the pipes. The water's great, but the air quality sucks.

I know leeches; I use them alot.

For fishing. They're scrappy live bait; hardy and effective. You can keep them in your fridge for months without feeding them, if you change the water and flush the leech shit out of it. The tepid nature of the liquid and burning effect of it in my eye convinces me that it was full of various leech excretions and may never have been refrigerated, since it left the bait shop.

Dirty Jesus is exactly the kind of fuck that wouldn't change his leech water. Too ignorant of the ways of live bait; no fisherman, by any stretch.

The cold, hard tap water makes my eyeballs feel raw, but better than burning. Both eyes are open, under the stream. Now, they are cool, no... cold. I had flushed them as well as possible, but would have to watch the mirror for a few days to scout for signs of some exotic, leechy conjunctivitis.

After the water stops, I squeeze the water from my long hair and wipe my face with the dirty dish towel. No paper towels. I felt waterlogged and greasy at the same time, but cleaner. My eyes no longer burn.

Dirty Jesus is no longer in the hallway. When I enter the living room with two new drinks, he is sitting in my chair, drinking the last two fingers of his Musty Prairie Tangerine.

"This is pretty tasty... Like one of those fancy salad dressings."

I place another in front of Dirty Jesus. He smiled and offers a pack of obscure American cigarettes. I took one of the smokes that he offered and sat down, across the table. He got comfortable on the couch. He knew me well enough to know that I wasn't going to toss him out... yet. I reached down with a napkin and picked up the pepper foam spraycan, without taking my eyes off him. It was about half empty.




"You dirty fuck."

"I had to borrow it, at your rent party, last month. Someone was gonna beat the shit outta me!"

"You borrowed it off my desk, without asking me or telling me about it." I managed not to snap at him, but had to remind myself to breathe, after saying this. I paused, leant back and closed my eyes while counting to ten. The little scared part of us that we all share, the monkey mind, wanted to scream at him. To punish him.
I regained my calm.

"Who was going to beat... 'the shit' out of you?"

I couldn't keep the hint of a sneer out of my voice, but I did not yell, or raise my tone, or volume.

"Your old lady."

This time, it was I that went silent and motionless for a minute. I chewed the information and its implications.

"You stole a can of extremely dangerous chemical eye, lung and skin irritant from me, because my 'old lady' was going to beat 'the shit', out of you?"

"Yeah..."

"Presumably... then... You were planing to spray my 'old lady's' eyes, face and mouth with this extremely dangerous eye, lung and skin irritant?"

"Yeah."

"Right. Now you are here... and you have brought my can of pepper foam back...
and it is half empty.

"Yeah."

"Right.
We've got a problem, you and I."

"Really?... What?"

I clenched my fist around the can and growled out "Where the fuck, is the rest of this can
-and- did you fucking use it on someone I care about, you fucking fuck?"

Dirty Jesus hesitated a moment, glancing up to check his memories, then says... "No."

I smile, warily, and then ask "Whom, or what, did you spray with this pepper foam?"

"I think it was a cop?... She may have been a cop."

I have, so got to, lose this can soon, tonight. Permanently disappear it.

"... Dirty Jesus?..."

"Yes, Aaron?..."

"Why are you carrying around a tub of leeches?"

"Well, Aaron... You ever get off while playing with jello?"

Now there was a question. "This has got to be good.", I thought to myself.

There may be a 'payoff', after all, for this evening's disgraces. There come rare moments, in our lives, when we can sit back and enjoy the cosmic joke. Precious clarity often found on those crazed, toxic shittrains that were our productive nights. If I could just chill, for a little while, I was going to hear a great story. Dirty Jesus was crazed and delusional, but he was a street-poet of the first water and a charmed adventurer. If you could create the right space in your head for him, he would fly you to the stars, drag you through the sewage and make you laugh through bloodied lips. Most people took a look at him and tried to put something else between them. Something wide and tall.

I lay back in the chair with my drink and cigarette. "No.", I said, " Tell me about it."

"Well ya see, there was this really creepy chick following me around the fishing tackle section at SportsWorld. I caught her looking at me, while I was feeling the plastic grubs. I love the way they feel between the fingers when you squish them. The dry ones squish real good, but the new, wet ones that come in their own pickle juice can make me come when I stick my hand in a big jar of these wet, fake worms in dayglo colours, floatin' in a big jar of stinking nectar that makes me, even me, wash my hands. There's no way that I can afford to buy one of these jars, ya dig; they're 20 bucks a pop. I imagine the day when I can bring one home; but, instead, I go to these big, fancy sports shops at odd hours, so that there are few customers or clerks around so I can wander to the tackle section, find the plastic grubs aisles and find a jar of my favourite grub colours... open it carefully, take a look around... make sure no one's lookin'. Then, carefully so's it don't spill on your clothes, puts my hand in. Just one hand, ya dig?
That japanese bug juice comesaspillin', overflowing, slowlydrippin', everstinkin'.
Don't get any on your shoes, your pants or your other hand.

Now; close your eyes and get to squishin'. Not too fast at first, loosen up, jes' swirl your fingers 'round, feel them gathering on your fingers. Now, gather as much, into a ball, as you can and slowly make a fist. Don't let any out! Slowly squeeze, feel it getting tighter, smaller, harder. Suddenly, pieces come squirtin' out your fingers, wriggling like they're alive.

If you do it right, it's a surprise and makes me cream my shotes."

"Dirty Jesus...", I interject, "You, are a profoundly disturbed human being.

"Yeeeaaahhh... I know."

"Why don't you just steal a jar?"

"That would be wrong!"

"Of course... Continue."

"I never got to cream my shotes, 'cause I heard a noise, opened my eyes and saw this really ugly woman staring at me from the end of the aisle.

I'm fucked and I knows it, so I pull a Heyoka routine: "I'm Okay! I'm Okay.", I shout at her. "I fell in, but I'm okay. I'll get a napkin." I pulled my hand out and make like I'm catching the drippings, but make sure not to get any more on me and started walking towards the bathroom. Well, I guess that I hadn't fooled her, 'cause she starts following me, but always a couple aisles over, not even pretending to look at the prices of coats, trail mix, or rifle brass. I don't see a walkie talkie, but she's talking to someone I can't see and what's my luck that there's a crazy lady following me from the tackle section of SportsWorld at 7 A,M, in the fucking morning? None, that's what. I looks down the store and see a couple monkeys in blue vests hanging around the bathroom door and trying not to look at me and 'oh fuck, I'm so busted'. There's no way to get out of this yuppie shit-hole aaannnd wash my hand of the damn sushi-juice..."

[Say "sushi-juice", three times fast.]

"and I'm gonna get it all over my clothes before this is over.

I know that you've covered yourself in fox-piss and sat on a rock, waiting for a stupid deer to come by, so you know what I'm talking about, you fuck, so don't you dare laugh.

So, I fucking ran. Cut left and headed straight to the closest emergency exit, but that pimply butt-faced lady cut me off and I ran towards the live bait kiosk, hoping that there was a back door to the 'employees only' section, where government law mandates an external egress, but was dead end. So I did the only thing I could; took out the pepper foam that you lent me and stuck my hand and a tupperware pitcher inna big leech tank to throw water at 'em."

"I did not lend you the pepper foam... Leech tank?"

"I didn't know it was the leech tank. Jest grabbed a handy container and stuck my hand in. I swirled my hand around... and it was just like the world's biggest jar of synthetic, salty, juicy, whale-flavoured flesh-bait that I had ever put my hand in, but without the dayglo colours or the stink.

It got too cold, actually. As the three employees entered the little room, I lost the feeling in my hand. My good hand.

I was jugglin' the can of mace you gave me, in my wrong hand, trying to get it to point right. The woman stares at my arm in the leech tank and she says 'My God, he's doing it again.' I figured that keeping my hand in the tank was giving me some sort of advantage in the situation, so I left it there... couldn't feel it no more, anyways.

'Don't come near', I says, "my hand's in there!'.

One of the monkeys said 'Maybe it's a suicide attempt... we should call someone.'
Then the girl starts to cross the room, sticking to the wall. 'Stay back!', I yells, but she keeps on comin' and says 'Let us call someone and help you', so I gave her a taste of the foam on her neck and mouth. She stops walking and blinks and wipes at the gunk on her face, then she drops to the floor, squealing and rolling like the tail you rip off a lizard...
If it could squeal.

The two monkeys stare at her, then they they stare at me, then they take a step into the room.

'I warned you!' I screams at them and rip my soggy, frozen hand out of the water...
and then things got weird.

I couldn't feel a damn thing, but the pale, firm appendage in front of me was covered in black globs that lay flat and weaved from side to side, dark boogers that hung and stretched and little tentacles that waved hello at us. Well, I nearly fainted. One of the monkeys ran screaming and the other just stood still as a rock and stared. The big girl still rolled on the floor but wasn't yellin' any more. 'I am leavin this shit-hole!', I yelled at blue monkey #2 walking towards the doorway of the live bait kiosk and monkey #2 backs into a corner of the little room, never turning his back to me. Then I run.

There are a couple more blue vests between me and the main door, but I shake leeches on them when they get close and I maced a big, tall customer in the doorway to keep 'em busy. Then I came here."

"... Oh my." I stood up and went to refresh my drink, fudging the measures. I took a slug and threw in an ice cube, for balance. I did not offer to top off his drink. I did begin to plot how to get him out of my place and stash him far away, for a couple days. I returned to my seat.

"Okay, DJ. This is how it's going to go: I am walking you to the 7-11 and calling my cabbie. He will take you to my cousins place upriver. You'll stay there for a couple nights. The cabbie will not give you the fare money. He will not take you somewhere else. He will not put up with your shit, nor will my cousin. I am giving my cabbie the rest of this pepper foam; he will get rid of it for me, but he will also use on it your crazy ass if you fuck with him.
Do you understand?"

It took a long moment. "Yeah."


My cousin owed me a shitload and didn't have any wife or kids to worry about. He also had a crappy cabin that would be like a fucking castle to Dirty Jesus. I have to remember to tell Brian, 'my cabbie', not to drive there in a straight line.

"Mix it up a bit, so Dirty Jesus can't find his way back there."

Him, I owe, huge. He's got enough juice with his cab company to get a legit car for days at a time, as long as the lease is paid, tank's full and no damage. He's also got a legit driver's license, legit hack license and no record. He looks pretty square, with Buddy Holly glasses and can pass for a banker with long sleeves covering his tats. Normally, he's expensive to hire out for special projects, but I find him things. Things that others cannot find, or would never touch. His wife loves my paintings. She has many.

"Tell me, Jesus... before we go; Where'd you get the tub and why did you keep some of these leeches, here?"

"I went down to the docks and picked up a bait tub that someone threw away. There was alotta them, down there. Tubs, that is. By that time there were only a few left hanging on my hand. I found a lid that fit and came here."

"Okay. But... Whyyy, did you keep the leeches?"

"Ooohhh.
I'm gonna teach them the exotic Ojibway Walleye dance."

"Oh. Good...
Let's get of here."

We left.

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