Showing posts with label spirit fire park. Show all posts
Showing posts with label spirit fire park. Show all posts

Friday, March 23, 2012

Update to Miss LoonTrout - Spirit Fire Park sponsorship opportunity, March 2012

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Update March 24, 2012. Early a.m. - Another Miss LoonTrout video added to end of post. New vid includes explanation of the Mayan calendar.

This painting has been around a while, but it keeps getting better:
"Miss LoonTrout Got A Crappy BoobJob,
Mr. & Mrs. CrackPenguin
Pull Their Tired, Old William Tell Routine,
Nanabush Is Alive, And In The World."

It was in storage for a couple years at Definitely Superior Art Gallery in Thunder Bay; then again for the last year, in the back of the studio.

I have been working on new canvases for most of this winter's painting, but lately I got the bug to take another look at some existing works. Nothing is ever done, while it's in the studio.

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My most recent video with Miss LoonTrout; sock puppet interpretation of the Jay Mohr podcast, Mohr Stories #35, and a promo for our upcoming #ZzorhnAndBingoRage show.



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March 2006, old BingoRage studio.

Used papier-mache technique to secure mask to canvas, on 1"x4" boxframe.

This paper cast had one other "brother", that was sold separately , as a wall-hanging, blue clownmask.

It was not as creepy as you might imagine.


First paint on the "Miss LoonTrout..." canvas.

It looks so nice and uncluttered.
Simple.

Nanabush still has two, healthy antlers, strongly attached to his head. This imagery is a recurring motif in my work, taken from rock art and shamanic traditions around the world. The human figure portrayed with horns or a "halo", to denote wisdom and power.

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This next video documents the process of "bead-embroidering" the "ghost" into the early LoonTrout canvas.




By July 2007, all the major parts were in place (except background-fishey, just added).

Irregular concentric rings ripple out from Nanabush, as he strides through our reality, like the ripples in the pond as he strides through the shallows.

The doorway, from which the bead-ghost entered the reality of the painting is much better defined at this point.

The Turtle figure is still prominent, upside-down in the upper right quadrant (under LoonTrout's left wing).

Nanabush's right antler is now busted.

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This is how the canvas looked, as it was displayed at the
DefSup Art Gallery, NOCAA-10 show
(Northwest Ontario Contemporary Aboriginal Artists - 10)
winter 2008-2009.

Very, very bright. I had used a white spray paint to highlight the mask and needed to cover it up with alotta green.

UFO is more dimensional and Nanabush's third eye has appeared.

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This is how the piece looks today, after I have been tweaking it for the last week.

All the characters have gone through visual upgrades.

Turtle is all but completely gone, replaced by a new character, the vertical background fish.

Vertical, background fish arose from a conversation with my friend Toshie and his dreams of surfcasting...
so, it must be a dream-striper.

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The whole painting is a pile of chaos:
Damage by circumstance, bad decisions, survival by chance and the skin of our teeth.

The CrackPenguins are depicted running "their tired, old William Tell routine"; a grim drinking game.

It is based upon the "accidental" shooting of William S. Burroughs wife, down in mexico, famously portrayed in the David Cronenberg film, Naked Lunch.

The "Crack-Penguin" is a personal trickster-figure of mine. You just can't trust a penguin, they're always trying to ingratiate themselves.

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The LoonTrout character cuts quite a figure.

It must have been a strange set of circumstances that allowed the pairing of a Trout and a Loon; natural enemies.

You would think that growing up in a blended household and overcoming certain self-loathings would have innoculated Miss loonTrout from the ravages of advertising...

But, no. She, too, has gone under the knife.
Probably a cutrate, back-alley-type cutter.

The UFO, in the background, now makes more visual sense as it attacks an "old-timey" police car, rather than the little stick figures that I had put there, fleeing, before. Happier UFO, happier artist.

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Nanabush and his advising angels.

There appears to be some sort of moral arguement going on.

Nanabush seems to be in rather high spirits. At least for a trickster, who's had to tear-off his own right antler. Medical reasons, or what?

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This piece is available as a sponsorship opportunity for Spirit Fire Park. We are installing the paper "Sturgeon Mama" statue in the park this summer and would like to build a roof to shelter it from the worst weather, as well as new muralwall infrastructure.

Purchase this sponsorship opportunity for $20 000:
- Receive the "Miss LoonTrout..." canvas, or have it sent to the museum/library/etc. of your choice
- Have a new mural installed at Spirit Fire Park, in your name, your business name or loved one' memory.
- Build a shelter for the "Sturgeon Mama" statue.

Yes. That is a bunch of clams.
If you haven't got it, please spread the word and pass this on to any rich relative or the notorious art patron in your life.
Forward, tweet, blog, pod, etc.
Thanks.

:Eric

"Miss LoonTrout - evolution" video; with Mayan calendar explanation.



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Thursday, October 06, 2011

Sturgeon Mama - sculptural form in foam and clay

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(Update Oct.15, 2011: Added more pics and sculpting description)
Most pics click for larger detail.

The #SturgeonMama sculptural model has been created by carving the rough form in a stiff plastic extruded foam, with steel wire brushes. This left a roughened exterior which bonded well with warmed/worked oil-base modeling clay.









It has been built-up and modified considerably as it has resolved into its current incarnation. In the future, this form could be significantly reworked to produce a different form. When I had the foam core at the park, I mused aloud about "carving the guts out of it" and making a hollow sturgeon with detail inside, reminiscent of the Morriseau "X-ray" stylisation. Maybe later.








After a quick reference glance at some sturgeon pics, it became obvious that the tail was all wrong, so I used a serrated putty knife, some foam scraps and a whole lotta hot-glue to correct the tail fins. The rough foam-carving had been done without a reference picture, but fit well to the new fin positions; the plan had always been to mount the dorsal fin after initial carving.

The body is highly stylised; with its "rib segment" look and diamond "scutes" (large scales along the sides and back. The scutes along the body parallel the lateral line of the fish, while the scutes of the back are represented by the rippled line of the profile.




Much of the form's resolution was informed by the conscious shaping of the back end of the body, where it meets the tail and along the belly. It is in this curve that the fish grows heavy with its spawn. The expansion of the belly and increased depth of the body necessitated the movement of the pelvic fins back and lower on the form.





The accompanying video has audio from the fabled "lost episode" of Zzorhn and BingoRage Wandercast. Actually, we had too many beers and had lost most verbal command; so, it's really not lost, just not totally useable. The paper cast of the model will be installed at Spirit Fire Park in the spring. This is a link to the BingoRage posting describing our "Sturgeon Mama" sponsorship project at #SpiritFirePark; please pass along to friends seeking ways to spend lotsa cash.

Miigwetch.
:Eric



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Wednesday, March 03, 2010

MetaRage - March 3, 2010 - Linkypost+Artpost

As you can see, I have finally made the switch to the "New Blogger" template. The main reason that I have done so, is the ease of access to "older posts". I will tweak the new setup, shortly.

BingoRage has had a few technical problems affecting new and old postings, which I’ll tell you about, shortly. The long-promised third installment of the LeechWater story, is in the pipeline; I swear. Find LEECHWATER part 1 [here] and part 2 [here]. *N.B. The chapters contain swear words and offensive, hard-to-explain behaviour. Be forewarned.



BingoRage, representin'! in Thunder Bay. The Crane , Powwow Dancer painting will be at the Thunder Bay Art Gallery, in an April show. This is the Bio. that I sent them:

Eric C. Keast is a self taught contemporary artist combining various media: Painting, papier-mache,
beadwork, writing, etc.. He has been documenting his work -online- in photographs and
video since returning to Canada, after ten years in Minneapolis, where he studied
and worked with Anurag Art Bronze |Studio and Foundry, Heart of the Beast Puppet
and Mask Theatre's MayDay parade and festival, Two Rivers Gallery at MPLS
American Indian Centre and a Native American Youth Shelter.

In the 1980's and 1990's, Eric studied the rock art forms of the Canadian Shield, pictographs and petroglyphs,
and prehistoric material culture, while working for the Regional Archaeology unit and
the Ontario Rock Art Conservation Association in Kenora, ON.

While not a strict follower of the Woodlands School / "X-ray" forms of representation,
Eric's work is influenced by the source material and strong lines of Woodlands art.

Eric received an Ontario Arts Council "Northern Arts" grant this winter, which will be used
to: a) create a mural wall / theatrical space infrastructure at SpiritFire Park in Devlin, ON
b) sculpt a large foam/clay sturgeon model, create and install a papier mache copy of the Sturgeon Mother
at SpiritFire Park
c) Lead a mural design/installation workshop with the UMAYC program, from the Fort Frances UNFC
d) Hold a grand opening event in August 2010, presenting a theatrical performance in new space and
host performance by T-Bay's Rodney Brown.




Friday, July 10, 2009

2009, OAC Northern Arts Grant Application, Supplement

Heyo BingoRagers; I salute yous.

Heyo OAC jurors/panelists; welcome to the BingoRage! Thanks, in advance, for taking the time to check out this extra material, on your own time. I spent a week reading applications this spring and I appreciate the extra effort.

So, here's the deal:

I am applying for an Ontario Arts Council (OAC), Northern Arts Grant, in collaboration with Spirit Fire Park (the park"), in Devlin, Ontario.

The grant application is seeking to fund four project elements:
- The extension of a multipurpose mural-wall, with a "theatrical-stage" background element at the park.
- The delivery of a mural-painting workshop for local youth program, UMAYC (fort Frances) (with a contingent paintball event, depending on United Native Friendship Centres program safety guidelines), culminating in a two-day mural-painting event at the park.
- The construction and installation of monumental papier-mache sculpture in the park, including: a) premade elements molded on steel, foam and clay armatures, and b) smaller elements constructed onsite, with a methodology developed through the "Arthur, Warrior and his Bow, Excalibur" project.
- The public "presentation"/opening of the park's new installations, including a performance by NorthWestern Ontario's well-known musician, Rodney Brown and a guided "theatrical tour" of the park. Mr. Brown's repertoire includes historical songs about the region. The park's campground will be opened to the public in order to encourage an intimate relationship with the land and the art.

This blog-posting will be updated throughout the grants application process so that application jurors/panel will have the opportunity to review materials that wouldn't fit in the application packet. That includes updated materials that come-to-be after the application deadline and older stuff that would never fit.

As far as I know, no other OAC or CCA grant application has been, essentially, shared outside the jury process. I hope that by doing so, that the entire project will benefit by word-of-mouth and word-of-social network. As well, I hope that this publication of the effort will lead to increased grant application success in "the north", as well as for other artists outside the major urban/art centres.

Works on this site fall under a Creative Commons "Non-commercial, Share-alike" License (see sidebar). You can reuse them, with attribution, for non-commercial purposes. If you want to use it as an assist for preparing your own grant application, please attribute appropriately. If there is something in the post, or elsewhere on the blog, that you would like to make into a t-shirt or major motion picture, then we need to "par-lay".

"TinyURL" for this posting is : http://tinyurl.com/m9t6gv

[All pics click to enlarge.]

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First off; I mentioned the "test-wall" in our grant application, but didn't include a picture in the supplemental materials. We built a section of our proposed wall with sponsor, Lakewood Tire (Fort Frances), in the summer of 2007.

The mural-wall consists of: upright posts cemented into the ground by concrete, connected by plywood sheets, kept upright by 2"x4" lumber braces (until concrete dries) and protected by latex exterior paint, which also serves as a neutral background for mural installation.

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My buddy, Joseph Carlson, proprietor of Spirit Fire Park and our project's engineer and landscaper.

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Recent additions to the test-wall include park logo, paintball team logos, sculptural elements and safety instruction.

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Some Google "Sketchup" mockups of the "mural-wall" extensions. The proposed actual additions will will be in a slightly different configuration (coming). For instance, the theatre stage background will be narrower, with beveled "wings" and a sand-pad "stage", instead of a poured concrete pad (for now).

The proposed layout of the mural wall will differ from these initial sketches and will be updated shortly.

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