Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, July 30, 2013

Art crew in the mean streets of #FortFrances

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One of our crew may be going to the big house for a little while. We are a badass #NorthWesternOntario paint-flingin', sawdust-spewing, papier-mache sodden #ArtCrew . We so bad that American Fishermen steal our sculptures and make sweet, sordid BronzeBack love to them... and bad touch... and abandon them to the tender mercies of predawn #FortFrances .

Rain is too humid for paper.
Glass loves rain, however. Glass in your windows, glass in your car, glass in your hand.

We are so badass; we have puppets that fly to Mars and reenact "1984". But not at the same time. Yet. Our puppet budget and technology is slightly above "pathetic and weak". Quality control is exercised by smelling the puppets. We have people for that.

Big Mask


Wayne And Shuster : Swan Lake Murders

This is the sketch comedy that I grew up with, in Red Lake, Ontario. One of Frank Shuster's family members created Superman. Johnny Wayne was my only hero, for a while; in the time of a boy.

Part 1



Part 2



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A Sudden Noise. Close.

There was a quickly amplifying sound of car engine? brakes? then two "crumps", the unmistakeable bass and screech of quickly-folding metal.

"Holy shit!", so says we all.

Out the door, already punching 911. Z. and others fly, converge.

I speak to the operator, listen to an eyewitness and offer directives to the emergent heroes, slithering in and out the pickup window. Doesn't look like she stole anything, but I can't be sure.

"Do NOT move him."

"Turn off the engines."

Engines, engines.

"How many vehicles?" she said.
"Multi-vehicle. At least three."

"Where's the driver of that car?"

Dead, dead. Fucking dead.
In a tree, or somebody's flowerbox...
NOT in the car.
Shit. Not parts... please not parts.

"Do NOT move that guy!"

Distant siren.

Just one driver? Two parked cars? No bystanders?
Holy shit.

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I heard that he was all over the road, prior to the crash.
Bad throttle cable? Stroke? Marinated? Forget where the brake was?

Folks from the UNFC were amongst the first on scene, rendering assistance. The driver plowed into two cars parked in front of the building.

Fort Frances car crash July 30




Thursday, July 25, 2013

Mars thoughts and art theft

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{Update; July 27, 1:40 am: The artwork mentioned below has been found and is on its way back. Thanks to the good folks of #FortFrances , the #mocassintelegraph and #FortFrancesUnderground . New #ZzorhnAndBingoRage podcast added to posting.}

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I forgot to include these thoughts with the previous posting. Mars could be terraformed, quick and dirty, by crashing an asteroid or comet into its northern polar cap. What?...

Mars is small. The whole planet is just wider than the distance from the Earth's surface to the centre of its core. Because it is so small, Mars couldn't retain its formative primal heat or generate enough of its own nuclear heat to maintain a moving, molten core. No core, no planetary dynamo generating an overall planetary magnetic field. No magnetic field and the atmosphere gets stripped into space, leaving the surface dry, cold and irradiated.

I propose to "partially-terraform Mars, with a single-event". I would prefer to crash a large comet -rather than an asteroid- into the northern polar cap of Mars, for two reasons: 1)It is more likely to break up and form an airburst in the thin atmosphere than an asteroid and 2)it would bring its own payload of water, CO2 and organic molecules to this desert island. I'll try not to hit the NASA probe on the cap.

Our choice of airburst, only a few kilometres above the surface, will vaporise a significant portion of the current "Martian ice age". This event will fill the atmosphere with enough water vapour and carbon dioxide to kickstart greenhouse warming on Mars, increase surface air pressure, reduce radiation load and -hopefully- restart a hydrologic cycle. Surface water and precipitation will help neutralise and wash out the soils, as well as eliminate global dust storms. Alas, this miracle may be a temporary Eden. The atmosphere will begin to leak into space, immediately, unprotected by the gravity and magnetic field that we currently enjoy. The question is, how long would it last, if it were thick enough to be dynamic, warm and wet?
50 years may be enough to provide humanity with an emergency raft in the face of global evacuation.

What could we do in 50 years? What could a planet do in 50 years? At the very least, we ought to be able to engineer another bolide strike on one of the ice caps. If a successful greenhouse effect can be sustained, however, the atmosphere may just mine the caps for water and CO2 for us, offsetting the erosion of the solar wind and gravity leakage. Then what? Have I created an engine to burn off another planet's life support resources? Cool. Don't worry, people will be more moral and responsible in a hundred years; they'll figure it out. Maybe we can restart the core by detonating zillions of nukes down boreholes.

Mars can probably defend itself. If the human parasite manages to establish a foothold on Mars, it is likely fated to be a temporary visitor. There is probably an extant biome buried on Mars, lurking in ices, aquifers and deep atmospheric pools. It will bloom if the atmosphere is jumpstarted, and will certainly be hostile, without malice.


200 years from now:

We survived the jump to Mars. We are thriving; gardening in the Martian soil has been accomplished and the enhanced atmosphere is currently self sustaining. Cannibalism is shockingly common and everybody is sprouting extra fingers. We are more comfortable inside, of course, but the kids run around without suits and mock the sluggish. The sock puppets left us generations ago, sailing across the sea... begging us never to follow them.

#ZzorhnAndBingoRage are revered as pioneers and heroes, receiving full pardons and election to the #RoyalOrderOfMars . #Canada is no longer a country, but is revered as a good start.

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New ZABR audio podcast posted.

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{July 26. Sculpture found, abandoned. But, taken care of and returned, by community.}

I am sorry to end a funny entry with a bummer note, but one of my best sculptures was stolen from the back of my pickup truck last night. The ShovelMask was a combination of Whitetailed-deer antlers, #papiermache head, snowshovel neck/body, oil-clay and acrylic paintjob.
One of my favourite works and crowd favourite at shows.


I had left my vehicle parked at #StudioChezZzorhn with the box rolltop closed and tailgate closed, but no locks. Someone eased it open and pulled the piece, easing the tailgate partially shut afterward. I discovered the theft when the tailgate fell open as I drove away the next afternoon.

Help me spread the news and let the thieves know that I need the artwork back. I have very little and it represents a significant investment of time and effort. You can contact the local paper at http://www.fftimes.com/ , send social media messages to #Canada #art networks, put up stolen artwork posters
(please pass this info. to friends and family and strangers in Fort frances - Rainy River District). I can't afford a reward, but agree to not "get medieval on your ass", etc. if you return the artwork. Please be careful with it. Yes, feel bad, but don't use that as an excuse to destroy it, please. Thank you.

It's most likely still in town, in the moist, pasty hands of some local scum, but could have been taken by pne of those slick American Fishermen in town for the pro Bass tourney. There's no telling what lurid practices they are employing upon the innocent acrylic skin of my child. My art-child. Brain/mind-baby.


Send $1500.00 to Eric C. Keast...
c/o Northern Lights Credit Union
601 Mowat Avenue
Fort Frances, Ontario, Canada
P9A 1Z2
to assuage your guilt and/or
sponsor the #ZzorhnAndBingoRage Show
and/or to commission a new canvas, etc.



Saturday, July 20, 2013

Mars or bust

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#ELE420  Chapter03

"Mars or bust."

      So. The last chapter of  #ELE420 ended with the destruction of the moon and the beginning of the journey to Mars. Even with our advanced technology, it will still be a month-long trip in the good ship "Lollipop". Neila has made a strong move, however, sabotaging the big red buttons; the ship won't last out the hour, as things are.

     Our regiment of handpicked "moral-responsibility"-trained spacebitch repopulation volunteers is reeling from the revelation that they have to service the engineers, as well as the other human repopulation volunteers.

     Eric, the self-appointed captain is reeling from apparent hallucinations; terrifying visitations by a creepy, tiny, pointy, scaly, overtouchy little pervert.

      Zzorhn is suffering from occasional bouts of Turkish language and spacebitch scheduling conflicts.




     Z, built  and painted the spaceship by himself, with some design input and detailing from Eric. I photographed the model from several angles against a dark green sheet and was able to create our "launch videos" and moon landscapes integrating the ZABR-"Lollipop".


      Fiddling with the brightness and colour controls made it easier to make the "greenscreen" effect. A brighter, more uniformly coloured sheet would probably work better, but cost money. :P

     The ship was hung with clear monofilament labelled "invisible thread", suspended by hook-screws in my ceiling.




Thursday, July 18, 2013

Mr. BingoRage comes to town.

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Early Summer. BingoRage Studio is moved to town for the season, hosted at #StudioChezZzorhn (Fort Frances).

We have been focused on 3-dimensional work for a couple months, but we are shifting towards painting again.
Z. and I are not bound by schedule, etc. but ebb and flow in interest and exploration.



#KingVase03 (L) and #KingVase02 (R) in papier-mache, demonstrating interim changes to clay model in the paper casts.



#KingVase01 (L) and #KingVase02 (R)

The #ZzorhnAndBingoRage show set up our table at the 2013 #EmoWalleyeClassic to show off our wares, demonstrate our skills and entertain fishing-orphans and other wandering rugrats for an afternoon. It was quite an impressive setup (read: pain in the ass to set-up), showcasing works in "papier mache" (paper), bronze, antler, clay, acrylic paint and canvas. We did not generate any sales from that venue, but got a chance to get some feedback from a potential target audience; NW Ontario fishing groupies and beergarden glitterati.







Friday, May 10, 2013

#artkitteh , King Vases and possession


So...

It has been a while, BingoRagers.

If your only updates on my activities occur in this blog, then you are really missing my bleeding edge.
I post daily to facebook, twitter (link) and tumblr (link); recent studio pics, mostly.

I always thought of the blog as a place for "important works", but that has come to represent unfinished editing, etc. and must be vanquished with content.

Here are some recent works from our collaborations at #StudioChezZzorhn
All pics click for greater detail.

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#artkitteh

#artkitteh mask - pic showing the foam, clay and paper stages of the papier-mache process.
As you can see, a particularly troublesome nose was adjusted between the sculptural form and first paper.
8)



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King Vase 02 & King Vase 03

This pic shows "first paper" on #KingVase02 , the white clay of the sculptural form, below, showing through.


"Cutting" the paper off the clay; always traumatic. #KingVase02



Adding clay to the sculptural form (wedgy "hair"), initiating #KingVase03


#KingVase03 (l) and #KingVase02 (r) heads, juxtaposed.


#KingVase02 with new chin and more paper added.



#KingVase02 head attached to cardboard torso


#KingVase02 torso papier-mached to foam/antler base.
Basically, the current incarnation of the piece. May 09, 2013.



#KingVase03 , showing hair, brow, eye and ear mods +




#KingVase01 in the #BingoRageStudio, with assorted wall critters and first two paint jobs. February 2012



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Our short film,"HOTEL POSSESSION", edited by Eric,
based on a concept by Z.







Saturday, May 12, 2012

Spinnerbait and "The Mob Mentality"

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Photos click for larger size detail.

Will be updating with Facebook comment extension shortly, please check back in half an hour.
19:45pm CST

Now updated with Facebook commentary.

21:47 pm, CST. 

21:52 pm , CST. Edited to get rid of spammy-looking art sale, sorry. 
20:23 pm CST, May 13, 2012 Blogpost abstract, edited from FB comment thread:

     This is the summary of an essay that arose from FB commentary thread re: a proposed ten year jail term for wearing "masks" at Canadian protests, posted at the end of this blogpost. Please check out the pics and vid below and Pls tweet, stumble, FB, etc. Thanks
        Puppet and mask street theatre is a court-recognised and historically significant artform and way of having a public voice, outside of socially-mandated "channels of communication". The proposed "ban on masks" can and will be abused to interfere-with and legitimise the abuse of puppet and mask troupes. I know it's not part of your daily reality, but these are great people and great artists working for you. In order to preserve it, it is necessary to acknowledge that public art is legitimate way to lobby our shared society, our shared mindspace as well as our  political system. To agree that we are engaged in real conversation, to try to find areas of agreement. I am lobbying the room to agree that masks and/or the wearing of masks at our protests should NOT BE BANNED in Canada AND AFFIRM that public mask/mask-type/puppet theatre is a legitimate means of public expression. Considered responses only, please.
PS: They want to put people in jail for ten years (10), for "wearing a mask" at a protest.
You are not endorsing a spanking, with your unthinking assent.

04:01 am, CST. May 14, 2012. Sent my MP an open letter.
 Mr. John Rafferty, MP;

     I don't know if you have heard this argument against the proposed mask ban and imprisonment legislation: It would begin to exclude or at least punish the puppet and mask street theatre techniques which are successful tool s to attract attention to the message of a protest. The proposed 10 year ban on "wearing of masks" could be abused as the blunt instrument and threat of official suppression of free speech. A "grey area" with exceptions to the rule would only leave wiggle room for prosecutors and riot police to arrest and prosecute first, then sort later.

Thank you, for your consideration.

Sincerely,
:Eric C. Keast

:Eric




This is a new painting, on an old canvas.
It's called SpinnerBait;
A "Colorado spinner"-type lure , permanently attached to a single-hooked
jighead, with rubber skirt.

It is designed to provide plenty of action at slow retrieve,
allowing the caster to plumb holes and structure.

The wire, swivel, rings and spinner-blade of this lure -without a lure, but with a snap- can be obtained at your local tackle shop. I've always called them colorado spinners, they come in a variety of colours but I like the metallic flavours and they can be attached to a wide variety of lures, other than "jigs".

There are some robust, heavy-gauge wire varieties of the spinnerbait, produced for freshwater musky and saltwater use, with large, heavy, multiple spinner-blades and interchangeable large-body rubber baits.

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Here is a recent clip from the Zzorhn And BingoRage episode, "The Privacy Apocalypse"

BingoRage Filthy Puppet Theatre

presents:

"1984 - deleted scenes (as reenacted by sock puppets {live})"
[The action starts about 03:12, but give the start a whirl.]

written by Eric C. Keast
produced by : Zzorhn



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The latest Zzorhn And BingoRage show (Season 02, Episode 17),
“The Mob Mentality Apocalypse” (link to Ustream.tv)
is in the metaphorical can. Episode notes, are as follows:
We are late. Our bandwidth problems. Video quality gets better two minutes in.

Intros. Penguins and polar bears do not fight. Feed back. (Eric has first breakdown at 8:00; does not want new show member, will consider a “hot intern”.) Zzorhn pimps his FB chatroom page. Eric warns against inviting the internet into your back yard.
Stealing blues songs is bad. Eric is angry. This is a comedy podcast.

Skit, re: Montreal taxi driver hit and run. Eric wears a suit, get corporated by Zzorhn. (18:20) I object. Horse puckey. Hello DanniPants 24:51. Watch Montreal taxi driver hit and run after Zzorhn vamps in blue. Eric says the tax driver abused an imbalance of power and is therefore in the wrong. Eric then tries to make the point that our government and corporations are increasingly abusing the imbalance of powers in society?
We want to see the missing video of previous time; how much is missing? Eric drops knowledge about Canadian news and P.Q. Student riots as backdrop to this story.

Art review: Papier-mache rattle and puppet. 50:25. Describe papier-mache process with foam and clay model, transfer to handle for "functional sculpture"; war club theme.
The internet is built for cats, 52:04. What a good JohnnyCat.

53:45 Pack mentality. Safety in numbers, power in numbers. Our fractal metaphors don't surprise me. We like to think we have free will. Everybody likes dogs; even if they have sexual needs and Eric's bestiality fear. Eric realises that Zzorhn is full of pooh. Again. Zzorhn implies that we are all in danger of succumbing to our animal nature, our pack nature; when exposed to a “mob”. Sathyrhana "Satyagraha" 1:03:00; Zzorhn is happy that I made a certain distinction. Eric says that the Internet is the veil drawn over your eyes and police risk dehumanising themselves by “alienisation”. The black bloc are agents provocateurs and a danger to peaceful protest.

1960's psychological experiments regarding imbalance of power, social behaviours beyond our control and the appeal of creeping fascism. Stanley Milgram, the Stanford Prison Experiment, The Third Wave . The" third wave" experiment is not well-documented, but seems to suggest that their is a leaning towards fascism, in our deeper pack mentality.

BingoRage Filthy Puppet Theatre (1: 17:00). Excuse me. 1:19:30 The Milgram experiment (as enacted by sock puppets). 1:23:50


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This canvas has a divot, created by long storage against a pointy thing. The fabric may rebound a little, but the dimensionality has been set in an acrylic matrix.





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Facebook comment update from May 12, 2012. 
21:15 'ish pm, CST.

- (Okay; just had to interrupt the update to check out ruckus, at the window. My big old round cat, the brave Johnnycat, is sitting in the window and two ravens are sitting in the branch immediately outside the big panes, discussing how to dissect and share him. Johnny seems to love the attention. What a brave Johnny.)

Fellow forum members; please do not mistake my previous points as an endorsement of violence.

I am a staunch believer in the rights of "free speech" for all, "freedom from violence and threat of violence" for all and "freedom to have a voice in the affairs of my society" for all, which -for myself, yourself and others- is mostly limited to our shared pool of armchair political speech, by reasons of health, calendars and/or location. Other people who have access to city populations and seats of government can lobby the actual physical persons whom represent us, or wish to "manufacture our consent" (Noam Chomsky), in person. Their bodies , their rights and their privacy are being broken and battered for us, a significant portion of the population (Perhaps for you at times and in the interests of my intellectual foes, occasionally.). They represent me, because they are brave for me, for us and even for you, occasionally.

What, then does this have to do with the wearing of a mask? Why would a person wear a mask? There are only two polar answers, you cannot deny one or the other:
a) Because they are a criminal, or have “done something wrong” and wish to escape punishment.
OR
b) There actions were legitimate and they wish to preserve their privacy for legitimate reasons, and wish to escape punishment.

If you say there are no legitimate reasons to preserve your privacy and the wearing of masks at protest is a criminal act, then you are endorsing punishment for what you consider “immoral beliefs and/or actions”, not a crime against person or property. These are fear-based reactions accessed by your consciousness when you perceive someone else as an “other”, not an intellectual judgement. This is the animal response system that propaganda, advertising, political media messages, canned news, press releases and the emerging “arena-politics” play with.
 Zzorhn speaks to the pack mentality in our most recent show ("Mob Mentality" link above).

I can prove that there is at least one legitimate reason to wear a mask to a protest. Without a doubt and beyond contravention. (Unless, of course, you are just a mindless troll for your set beliefs{ERIC; Cite particular meaning “reactionary, provoking online behaviour”}, hijacked by some malevolent, reactionary memeplex that you are not aware of, yet.)

If the protestors are using theatre and artistic tools to tell their story and voice their position, such as puppet and mask presentations, then these are legitimate, timeless means of public media, public voice. Please, let us not get into the game of creating exceptions to an atrocious rule (that only gives police and prosecutors a "grey area" to arrest people in); please just admit that there is a legitimate reason to wear a mask to a protest.

If it is your contention that this is not a legitimate means of public expression, then you really may be irrelevent and have to reevaluate what it means to be human, for yourself. You are without art, or in denial extremis: going insane with the contradictions that you are allowing to fire around the inside of your head.



When you see a gathering of people labeled as a “violent protest” -regardless of your political stance, economic stance, religious stance, urban vs. Rural stance, right/left position, etc.- You, I and everyone else should be held accountable to recognise there are many social systems in place to label and shape how you perceive that event. That doesn't mean that everything is a lie; don't live in fear, live in ongoing evaluation. Look at different sources and actually read the arguments.

You have to acknowledge, not that you are wrong, but that you may not be correct, this time.

No one person is ever right all the time and you should be suspicious, when the media and social sources you choose to believe, echo what you think is right.

Most people in the past chose not to dig too deeply into the “official story” of events in our society because it was a hard thing to do, and dangerous, as the bodies of murdered journalists around the world and the beating and imprisonment of media in our own countries would attest to. However, nowadays, we have access to more information, as an increasingly participatory audience, that was supposed to be hidden from us by distance and official silences and denials. Or sources are augmented by the spread of cameras, phones and connectivity; the evolving “participatory panopticon” (Jamis Cascio) that we are embedded-in and growing. It is becoming a powerful tool to criticise the behemoth of government with accessible, proveable numbers, photos, video, scientific research... real evidence that is increasingly sourced and produced in a non-university, non-corporate, non-governmental, non-NGO fashion. It is open-sourced, crowd-sourced grassroots that is in increasing danger of suppression.

I speak about the erosion of free speech so much, because it really is on the rise. When I was growing up, my generation X and the previous generation of Baby Boomers (now in power, a huge segment of the population) grew up in fear of the official enemy of North America (Yes, Canada, too, was frightened). They were the bad guys, because they were a torturing, totalitarian state and closed market, where free speech, free movement and economic innovation was not allowed. We, were the champions of life, liberty, freedom from torture and “cruel and unusual punishment”, good governance and free markets. Well, we beat the Soviet Union and now we are embracing and endorsing an emerging, creeping totalitarianism, that is already endorsing the tactics of oppression and suppression that once were accusations leveled at the “thuggish KGB”.

When we allow the nonstop, persistent erosion of civil rights on the ground and in the evolving online fora, we are endorsing the punishment of legitimate criticism. Sure, that means that bad actions will still occur, but that is what our legal system and prison system is for..

the punishment of bad actions,
not the punishment of the desire to preserve our rights, our privacy.

A mask is speech; it says that "you frighten me and I do not want you to find me", for good reason or ill.

Saying that a person is not allowed to protect themselves from official violence means that you endorse the official punishment of people you disagree with. Therein lies the road to fascism. It is subtle and seductive to say: "violence is wrong, unless it is used against someone with whom I do not agree, even if they are right".

There is an Indian word, "Satyagraha", which means "insistence on truth". It has spiritual interpretations, of course, but I like the real world insistence on the truth, a "reality-based" world, where evidence has primacy over "gut reactions". It means that humanity should base its decisions on the realities of the world, not the "just-so" stories about the environment, the afterlife, evolutionary science and "dirty, violent protestors" that we share with people that think like us.

I do not fear the increasing surveillance that we are all subject to, as long as it is evenly distributed. When all politicians, corporate executives, policemen and bureaucrats -you and I, as well- are subject to the same level of scrutiny as everyone else and our free speech is truly protected, then all corruption, unnecessary violence and stealing would disappear, theoretically.

But, if the people in charge use the surveillance state only on "us, the population" (yes, you too),  if the elite/aristocracy/police/oligarchs/politicians/whomever can “switch it off"  ala 1984 (G. Orwell) and operate criminally without fear of legitimate consequence, then the corruption and insanity of contradictions above us is insulated from change. Allowing the erosion of rights for some, endorses the erosion of all your rights.

This comment started out as a response to a previous posting, but I would now like to announce an initiative for the forum: Could we as a loose, rather random group of folks with widely varying views actually work together to create shared public documents, manifestos that are sets of shared agreement on how to fix the world, or at least little parts of it, a little at a time. I propose the hashtag #ZBGmanifesto to tag future proposal/discusion on the Bar and Grill page.

If you have stayed with me, so far, then "Bravo."

Have I spoken to the rationale within you and convinced you that the wearing of masks to a protest should not be illegal?


The short version of my blogpost: Puppet and mask street theatre is a court-recognised and historically significant artform and way of having a public voice, outside of socially-mandated "channels of communication". The "ban on masks" will be abused to interfere with and legitimise the abuse of puppet and mask troupes. I know it's not part of your daily reality, but these are great people and great artists working for you. In order to preserve it, it is necessary to acknowledge that public art is legitimate way to lobby our shared society, our shared mindspace as welll as our political system. To agree that we are engaged in real conversation, to try to find areas of agreement. I am lobbying the room to agree that masks and/or the wearing of masks at our protests should NOT BE BANNED in Canada AND AFFIRM that public mask/mask-type/puppet theatre is a legitimate means of public expression. Considered responses only, please.


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Eric, in front of the "Northwestern Ontario Warrior Walleye, Not A Fucking Zander" canvas.


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Friday, March 23, 2012

Update to Miss LoonTrout - Spirit Fire Park sponsorship opportunity, March 2012

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Update March 24, 2012. Early a.m. - Another Miss LoonTrout video added to end of post. New vid includes explanation of the Mayan calendar.

This painting has been around a while, but it keeps getting better:
"Miss LoonTrout Got A Crappy BoobJob,
Mr. & Mrs. CrackPenguin
Pull Their Tired, Old William Tell Routine,
Nanabush Is Alive, And In The World."

It was in storage for a couple years at Definitely Superior Art Gallery in Thunder Bay; then again for the last year, in the back of the studio.

I have been working on new canvases for most of this winter's painting, but lately I got the bug to take another look at some existing works. Nothing is ever done, while it's in the studio.

---

My most recent video with Miss LoonTrout; sock puppet interpretation of the Jay Mohr podcast, Mohr Stories #35, and a promo for our upcoming #ZzorhnAndBingoRage show.



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March 2006, old BingoRage studio.

Used papier-mache technique to secure mask to canvas, on 1"x4" boxframe.

This paper cast had one other "brother", that was sold separately , as a wall-hanging, blue clownmask.

It was not as creepy as you might imagine.


First paint on the "Miss LoonTrout..." canvas.

It looks so nice and uncluttered.
Simple.

Nanabush still has two, healthy antlers, strongly attached to his head. This imagery is a recurring motif in my work, taken from rock art and shamanic traditions around the world. The human figure portrayed with horns or a "halo", to denote wisdom and power.

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This next video documents the process of "bead-embroidering" the "ghost" into the early LoonTrout canvas.




By July 2007, all the major parts were in place (except background-fishey, just added).

Irregular concentric rings ripple out from Nanabush, as he strides through our reality, like the ripples in the pond as he strides through the shallows.

The doorway, from which the bead-ghost entered the reality of the painting is much better defined at this point.

The Turtle figure is still prominent, upside-down in the upper right quadrant (under LoonTrout's left wing).

Nanabush's right antler is now busted.

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This is how the canvas looked, as it was displayed at the
DefSup Art Gallery, NOCAA-10 show
(Northwest Ontario Contemporary Aboriginal Artists - 10)
winter 2008-2009.

Very, very bright. I had used a white spray paint to highlight the mask and needed to cover it up with alotta green.

UFO is more dimensional and Nanabush's third eye has appeared.

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This is how the piece looks today, after I have been tweaking it for the last week.

All the characters have gone through visual upgrades.

Turtle is all but completely gone, replaced by a new character, the vertical background fish.

Vertical, background fish arose from a conversation with my friend Toshie and his dreams of surfcasting...
so, it must be a dream-striper.

---


The whole painting is a pile of chaos:
Damage by circumstance, bad decisions, survival by chance and the skin of our teeth.

The CrackPenguins are depicted running "their tired, old William Tell routine"; a grim drinking game.

It is based upon the "accidental" shooting of William S. Burroughs wife, down in mexico, famously portrayed in the David Cronenberg film, Naked Lunch.

The "Crack-Penguin" is a personal trickster-figure of mine. You just can't trust a penguin, they're always trying to ingratiate themselves.

---


The LoonTrout character cuts quite a figure.

It must have been a strange set of circumstances that allowed the pairing of a Trout and a Loon; natural enemies.

You would think that growing up in a blended household and overcoming certain self-loathings would have innoculated Miss loonTrout from the ravages of advertising...

But, no. She, too, has gone under the knife.
Probably a cutrate, back-alley-type cutter.

The UFO, in the background, now makes more visual sense as it attacks an "old-timey" police car, rather than the little stick figures that I had put there, fleeing, before. Happier UFO, happier artist.

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Nanabush and his advising angels.

There appears to be some sort of moral arguement going on.

Nanabush seems to be in rather high spirits. At least for a trickster, who's had to tear-off his own right antler. Medical reasons, or what?

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This piece is available as a sponsorship opportunity for Spirit Fire Park. We are installing the paper "Sturgeon Mama" statue in the park this summer and would like to build a roof to shelter it from the worst weather, as well as new muralwall infrastructure.

Purchase this sponsorship opportunity for $20 000:
- Receive the "Miss LoonTrout..." canvas, or have it sent to the museum/library/etc. of your choice
- Have a new mural installed at Spirit Fire Park, in your name, your business name or loved one' memory.
- Build a shelter for the "Sturgeon Mama" statue.

Yes. That is a bunch of clams.
If you haven't got it, please spread the word and pass this on to any rich relative or the notorious art patron in your life.
Forward, tweet, blog, pod, etc.
Thanks.

:Eric

"Miss LoonTrout - evolution" video; with Mayan calendar explanation.



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